Public Art Unites the Community

Public art is one of those things that’s more than the sum of its parts. Here in my neighborhood, the humble traffic signal box—a four-foot-tall aluminum cabinet that had never before registered on my radar—seems to be the start of something big.

In 2012 I was one of the volunteers painting Irvington’s first seven signal boxes as part of the Great Indy Cleanup.

These Colts cheerleaders helped us get the job done.

These Colts cheerleaders helped us get the job done. Photo by Heidi Unger.

Each design had been submitted by artists like Morgan Hauth, shown here putting finishing touches on one of her pieces.

Touching up

Morgan Hauth touching up. Photo by Heidi Unger.

By 2013, Foundation East, the brainchild of Vishant Shah and Aaron Story, had formed with a goal of transforming eastside Indy neighborhoods through public art. Building on the success of the traffic signal box project, the duo enlisted six artists to paint another round.

Oil painter Rita Spalding at work on one of her signal boxes.

Oil painter Rita Spalding at work on one of her signal boxes. Photo by Charmaine Edwards.

A total of 19 boxes now brighten the main thoroughfares of my community.

Sadly, some disrespectful souls targeted a couple of these landmarks. Two boxes were vandalized early Dec. 31, prompting outrage among neighbors. A third more recently had a bucket of paint splashed on it.

It’s infuriating, but I take my cue from Rita, who has more reason than anyone to be outraged—her luminous painting was among those defaced. She told the Indianapolis Star that morning, “I’m not angry. It just really makes me think about what’s going on in that kid’s life.”

Later that day she wiped off the graffiti. Several neighbors met her at the box to help out if needed, but it turned out to be easier than she expected, because she’d applied a layer of clear coat finish.

Foundation East founders Aaron and Vishant say the outcry shows how important these boxes have become. They invited the community to meet the artists and show their support this week.

I went to the gathering, finding it packed to the gills with neighbors eager to thank the artists and scribble their ideas on a white board. (Paint the water tower, build a vertical garden structure on the library lawn, install a sculpture on my street!)

Many also chipped in for a “clear coat fund” to give all the boxes the same treatment as Rita’s.

Homage to car culture

Homage to car culture, by Andrew Severns. Follow this artist at @severnscanon. Photo by Vishant Shah.

I talked to several residents there who mentioned Irvington’s history as a hub of creative and intellectual stimulation, with Butler University’s campus located here until 1928. In the 1920s and 30s, a group of acclaimed painters known simply as the Irvington Group drew national attention.

Apparently our neighborhood’s reputation as a quirky haven for eccentrics also dates back 100 years—Irvington is described in an October 1903 Indianapolis Star article as “the classic suburb which has an interesting way of turning up all kinds of freaks and strange things generally.”  (This was before the city grew to swallow up the suburb, but we retain our unique character.)

Signal box in Arctic Vortex aftermath

Erin Kelsch’s Signal box in Arctic Vortex aftermath. Photo by Vishant Shah.

Kathleen Angelone, owner of Bookmamas, says that’s exactly the kind of neighborhood she wants—and the art definitely adds to the vibe. “I think public art is vital to any community because it makes it beautiful. It denominates where the community is and gives it character.”

“And it is civilized. I want to live in a civilized community where people are interested in art and music and learning, not just their day to day jobs.”

Tribute to farm heritage

Dave and Holly Combs’ tribute to farm heritage. Photo by Vishant Shah.

Russian-born Svetlana, an oil painter, told me that public art played a role in her childhood desire to paint. “There are statues everywhere in Russia; you’re just surrounded by art,” she said. “That gave me a lot of creativity and imagination.”

Two years ago she moved to Irvington, where color is starting to pop in unexpected places. “I think it’s wonderful that there is art for people to view without going to a museum.”

Aaron and Vishant invite local artists, funders, and dreamers to contact them about partnering on future eastside Indy public art projects.

My next blog post will have more about the role of public art in placemaking, youth engagement, and crime prevention.

Midwest’s First Community Supported Fishery

Many of us concerned about the impact of our food dollars support small farmers through Community Supported Agriculture and farmers markets. Now the Midwest’s first Community Supported Fishery gives those of us far from a coast an option in the seafood arena.

I learned about Sitka Salmon Shares at FoodCon. It’s an operation bringing sustainable seafood to the heartland on a direct-to-consumer model—similar to Community Supported Agriculture.

Anyone in a landlocked area who wants to buy local has a hard time with fish.* Especially when, as in Indiana’s case, the majority of our waterways are tainted with mercury due to coal plants.

Sitka Salmon Shares has a crew of independent, small boat family fishermen and -women who catch Alaskan salmon, halibut and cod with low-impact methods. The flash-frozen fish lands on the dinner tables of Midwesterners hungry for a protein source that’s healthy, delicious, and sustainably harvested.

Fishing Boats in Metlakatla, Alaska, ca. 1856 - 1936. National Archives and Records Administration.

Fishing Boats in Metlakatla, Alaska, ca. 1856 – 1936. National Archives and Records Administration.

From the website:

“In this day and age, we face a large industrial food system that too often puts profit ahead of people, communities, and the environment … in the process quickly replacing small family producers with huge companies and multinational corporations. It’s hard to feel good about eating food from such a system.”

And how. But here’s an alternative.

Sitka returns 1% of revenue to fisheries conservation. It also pays fishermen more than they could earn from big multinational processors. Further, rather than using trawls that result in large amounts of unwanted fish being thrown overboard, Sitka’s fishing families use hook-and-line methods to minimize impacts on unintended species.

These practices sustain ecosystems, fishing communities, and fish populations, while giving customers peace of mind as well.

At FoodCon I picked up a pocket guide from these folks: I love their sustainable seafood commandments for the Midwest. (Among them: Gear types matter. Also: Frozen and canned fish are often better choices.)

Here’s a great interview with Chief Salmon Steward Nic Mink that explains more.

Nic does double duty, serving as Butler University’s Center for Urban Ecology’s Urban Sustainable Foods Fellow.

As an aside, I really think he has two of the best job titles ever.

He will be speaking at the July 16 Irvington Green Hour about his work with the Indy Food Council, building the capacity of sustainable food systems in Indianapolis.

(*Some readers may remember my pledge to try sardines in an effort to eat lower on the food chain. I have yet to crack the tin I purchased. It is on my list. I guess you could say I’m nothing if not deliberate in my food choices. I could deliberate a long time here.)