Respite

I’m back from Mesa Refuge,* where I had 10 days to write, read, reflect, and draw inward. It was heavenly to leave the smartphone in a drawer for most of that time, and to let my social media accounts languish.

It was a time of exploration. I explored through my writing every day, starting early in the morning and working late into the night in my private writing shed. From this window I spied deer, quail, rabbits, hummingbirds, juncos, redtailed hawks, vultures, egrets, white pelicans, and many other waterbirds and songbirds I couldn’t identify.

My writing shed  overlooked a Tomales Bay tidal estuary, where San Andreas fault lies.

The shed overlooks a Tomales Bay tidal estuary. San Andreas fault runs through this wetland. Mesa Refuge is “a place for writing on the edge”–and this shed is situated on the edge of the North American Plate, looking across to the Pacific Plate.

I explored the nearby town of Point Reyes Station. Not one but two yoga studios serve the tiny populace, and the farmers market brings everyone out each Saturday.

Point Reyes Station Farmers Market

Point Reyes Station Farmers Market

And once I ventured out in a borrowed pickup truck to one of the many wild places near the refuge.

Path to Abbott's Lagoon, Point Reyes National Seashore

Path to Abbott’s Lagoon, Point Reyes National Seashore

This was one of my favorite days.

Abbott's Lagoon

Abbott’s Lagoon

I relished the solitude and quiet that are so rare in workaday life. It felt like a privilege.

Beyond Abbott's Lagoon: The Pacific.

Beyond Abbott’s Lagoon: The Pacific.

But there was conviviality along with the solitude. I spent many of the evenings in conversation with the brilliant writers who were in residence with me. In coming weeks I plan to feature each of these writers and their crucial work.

I also decided to spend some time sitting in nature each day, now that I’m home. Here in my city, the hummingbirds are long gone and there are no dramatic cliffs or hypnotic ocean waves, but the leaves are turning and the songbirds are still as vociferous as ever. Heartland beauty may be subtler than West Coast beauty, but it still fills me.

*Are you a nonfiction writer whose work touches on nature, economics, and social justice? I would encourage you to apply for a residency at Mesa Refuge. It is a phenomenal place to write.

Advice for Writing and Living

I’m home from the Midwest Writers Workshop, where the keynote speaker, mystery writer Hank Phillippi Ryan, shared “What I wish someone would have told me.”

By Kartikay Sahay via Flickr Creative Commons

By Kartikay Sahay via Flickr Creative Commons

The advice was writing-related, from how to deal with solitude (“You write alone, but you are not alone”) to the inevitability of self-doubt (“Before you burn your manuscript, make a copy.”) Still, I was struck by how much of her guidance also applies to those of us invested in the critical work of remaking the world.

First up: mention was made of the classic Bird by Bird by Anne Lamott. In which Anne’s brother, in grade school, waits to begin a report till the night before it is due. The topic? Birds of North America.

Not surprisingly, he comes nearly unglued in panic. Their father, a writer, counsels him, “Just take it bird by bird, buddy. Bird by bird.”

Then there’s this:

“What would you attempt to do if you knew you could not fail? Do that. Be brave.”

And finally, the need to be happy, to love what you are doing, and to enjoy the place where you find yourself. “This race goes to the stubborn and bullheaded, but it’s also wise to have a good time.”

I was planning to discourse on how these nuggets inform the life of a hopeful thrivalist, but my brain is pretty much a mashed potato right now. So how about this instead:

Discuss.