I’m back from Mesa Refuge,* where I had 10 days to write, read, reflect, and draw inward. It was heavenly to leave the smartphone in a drawer for most of that time, and to let my social media accounts languish.
It was a time of exploration. I explored through my writing every day, starting early in the morning and working late into the night in my private writing shed. From this window I spied deer, quail, rabbits, hummingbirds, juncos, redtailed hawks, vultures, egrets, white pelicans, and many other waterbirds and songbirds I couldn’t identify.

The shed overlooks a Tomales Bay tidal estuary. San Andreas fault runs through this wetland. Mesa Refuge is “a place for writing on the edge”–and this shed is situated on the edge of the North American Plate, looking across to the Pacific Plate.
I explored the nearby town of Point Reyes Station. Not one but two yoga studios serve the tiny populace, and the farmers market brings everyone out each Saturday.
And once I ventured out in a borrowed pickup truck to one of the many wild places near the refuge.
This was one of my favorite days.
I relished the solitude and quiet that are so rare in workaday life. It felt like a privilege.
But there was conviviality along with the solitude. I spent many of the evenings in conversation with the brilliant writers who were in residence with me. In coming weeks I plan to feature each of these writers and their crucial work.
I also decided to spend some time sitting in nature each day, now that I’m home. Here in my city, the hummingbirds are long gone and there are no dramatic cliffs or hypnotic ocean waves, but the leaves are turning and the songbirds are still as vociferous as ever. Heartland beauty may be subtler than West Coast beauty, but it still fills me.
*Are you a nonfiction writer whose work touches on nature, economics, and social justice? I would encourage you to apply for a residency at Mesa Refuge. It is a phenomenal place to write.




