A Whole World Alive

I recently heard Michael Pollan speaking on NPR’s Science Friday show about research into plants’ intelligence. He revealed how mycelium (the vegetative part of fungus) figures into communications among the trees of a forest. (We learned about mycelium earlier in Peter McCoy’s guest post on radical mycology.)

Hyphae (branches of the mycelium) as seen under an overturned log. Photo by TheAlphaWolf (Own work), via Wikimedia Commons

Hyphae (branches of the mycelium) as seen under an overturned log. Photo by TheAlphaWolf (Own work), via Wikimedia Commons

Pollan said:

“The trees in a fir forest are networked, in a very complicated network, held together by the mycelium of mycorrhizal fungi, connect(ing) all the trees in a fir forest. A scientist in British Colombia named Suzanne Simard has studied this. She injects a fir tree with radioactive carbon isotopes, and then using a geiger counter and other devices follows the trail of that carbon.

And what she’s found is astounding! All the trees are connected. They use that network to send information, such as warnings of insect attack. They use that network to send nutrients to their offspring…They can even use that network to trade nutrients with other species…”

Isn’t that miraculous? And I suspect that—as the Wendell Berry quote in my previous post implied—everyone and everything, everywhere, might be invisibly interconnected in a similar way.

If this is true, what harms one, harms all. What uplifts one, uplifts all.

Is this possible? Perhaps. On an energetic level. What I’m talking about is rising above the zero sum game that’s so indoctrinated in us. Making space to see that without all of us being OK, none of us are OK.

We lack instruments fine enough to fully measure the energy field surrounding us (and surrounding every natural thing, every boulder and ant and trout and evergreen, every human and tulip and mountain). But I believe that through this field we have an impact on each other, on the whole of life, every moment we live, whether we know it or not.

It isn’t possible to live apart from each other. Not truly. The web of life knits us one to another, even if we are unaware of its strands.

Photo by Fir0002/Flagstaffotos, via Wikimedia Commons.

Photo by Fir0002/Flagstaffotos, via Wikimedia Commons.

The ancient sages say that if you pull one thread in the web, the others vibrate.

Quantum physics … the mycelium … the Internet even—all are outer manifestations of this esoteric truth.

For a while now I’ve taken a few moments every morning to ground myself, feeling and seeing my “roots” going deep into the earth. Lately I find myself connecting not just vertically but horizontally, under the earth’s surface, with the mycelium.

There’s a whole world alive under our feet that we don’t usually see. So it is with our energetic world.

“We Must Care About our Public Spaces”

As promised, here is a followup to last week’s post on the value of public art.

At Foundation East’s artist meet-and-greet I met Irvington resident Holly Combs. She’s half of the husband-and-wife duo who painted several traffic signal boxes around Irvington. While I was talking with her, a neighbor stopped to say that she honked and waved whenever she passed the couple working out in the cold on their boxes.

Holly thanked her, saying, “Do you know what it meant to us when people honked and waved? Yeah, it was cold but we didn’t feel it. When you’re joyful in what you do, you’re not even cold.” Then she handed us each a “You are beautiful” sticker.

That seems to sum up Holly, whose passion is obvious when she speaks of her various projects. For example, Street Styles. It’s a youth program she started that uses street art and graffiti as the foundation for exploring art fundamentals.

With her husband Dave, she also founded the Department of Public Words. DPW’s mission is to put uplifting messages in surprising places, all to tell people “they’re awesome, beautiful, worthy, and wonderful,” as Holly puts it.

They first tried it a few years back when the economy tanked and the Combs’ gallery and art magazine were hard hit.

Photo courtesy of Department of Public Words.

Photo courtesy of Department of Public Words

“When you lose everything, you’re fearless, thinking ‘I can do anything,’” Holly told me. She painted You Are Beautiful in block letters high on a prominent building in the Fountain Square neighborhood because it was a message she herself needed.

Since then they’ve put the same message on a building on East Tenth Street. I pass it often and it never fails to make me smile.

Photo courtesy of Department of Public Words

Photo courtesy of Department of Public Words

Sometimes I’ve walked my dog past the Combs’ house in summer (though I didn’t know it was theirs) to find You Are Beautiful scrawled in chalk on the sidewalk.

The You Are Beautiful campaign is part of a global initiative started by Matthew Hoffman (those stickers were the first manifestation). Right now the couple are raising money to continue inspiring people with positive words all over town.

With Street Styles, Holly works with youth in the juvenile justice system, many of whom have illegally painted graffiti. “I tell my juvenile offenders, ‘You go to jail for doing that and I get paid $100 an hour: who’s the boss?’” She brings the disenfranchised youth into the process of creating street art in hopes of channeling their desire for self-expression.

I asked Holly how she felt about the vandalized signal boxes, since one of theirs was targeted. “Yes, our box got paint poured on it. Just out of meanness. Sad. But I see public art as a conversation with the public,” she told me in a Facebook chat.

One of the Combs' traffic signal boxes. Photo by Vishant Shah.

One of the Combs’ traffic signal boxes. Photo by Vishant Shah.

The offenders in her program say that if a community doesn’t seem to care about a neighborhood, it’s seen as an invitation.

“(We) must care about our public spaces to help encourage others to care about them too. I always say, “Blank walls want me.’”

In fact, my neighborhood started the signal box project after a police officer spoke to our Crimewatch group about Crime Prevention Through Environmental Design (CPTED). Officer Shane Foley talked about CPTED’s landscaping and lighting design principles—and how modifying the built environment can deter criminals.

The group already had a history of litter cleanups and beautification efforts, and CPTED theory made a lot of sense. The traffic signal box art seemed a natural progression.

Another of the Combs' boxes. Photo by Vishant Shah.

Another of the Combs’ boxes. Photo by Vishant Shah.

These boxes belong to the whole community, and no setback is going to slow the public art movement now. With the help of a fundraising campaign, Vishant and cofounder Aaron Story plan to have all the boxes protected with a coat of clear coat by May.

Local artists, funders, and dreamers are invited to contact Foundation East about partnering on future eastside Indy public art projects.

Public Art Unites the Community

Public art is one of those things that’s more than the sum of its parts. Here in my neighborhood, the humble traffic signal box—a four-foot-tall aluminum cabinet that had never before registered on my radar—seems to be the start of something big.

In 2012 I was one of the volunteers painting Irvington’s first seven signal boxes as part of the Great Indy Cleanup.

These Colts cheerleaders helped us get the job done.

These Colts cheerleaders helped us get the job done. Photo by Heidi Unger.

Each design had been submitted by artists like Morgan Hauth, shown here putting finishing touches on one of her pieces.

Touching up

Morgan Hauth touching up. Photo by Heidi Unger.

By 2013, Foundation East, the brainchild of Vishant Shah and Aaron Story, had formed with a goal of transforming eastside Indy neighborhoods through public art. Building on the success of the traffic signal box project, the duo enlisted six artists to paint another round.

Oil painter Rita Spalding at work on one of her signal boxes.

Oil painter Rita Spalding at work on one of her signal boxes. Photo by Charmaine Edwards.

A total of 19 boxes now brighten the main thoroughfares of my community.

Sadly, some disrespectful souls targeted a couple of these landmarks. Two boxes were vandalized early Dec. 31, prompting outrage among neighbors. A third more recently had a bucket of paint splashed on it.

It’s infuriating, but I take my cue from Rita, who has more reason than anyone to be outraged—her luminous painting was among those defaced. She told the Indianapolis Star that morning, “I’m not angry. It just really makes me think about what’s going on in that kid’s life.”

Later that day she wiped off the graffiti. Several neighbors met her at the box to help out if needed, but it turned out to be easier than she expected, because she’d applied a layer of clear coat finish.

Foundation East founders Aaron and Vishant say the outcry shows how important these boxes have become. They invited the community to meet the artists and show their support this week.

I went to the gathering, finding it packed to the gills with neighbors eager to thank the artists and scribble their ideas on a white board. (Paint the water tower, build a vertical garden structure on the library lawn, install a sculpture on my street!)

Many also chipped in for a “clear coat fund” to give all the boxes the same treatment as Rita’s.

Homage to car culture

Homage to car culture, by Andrew Severns. Follow this artist at @severnscanon. Photo by Vishant Shah.

I talked to several residents there who mentioned Irvington’s history as a hub of creative and intellectual stimulation, with Butler University’s campus located here until 1928. In the 1920s and 30s, a group of acclaimed painters known simply as the Irvington Group drew national attention.

Apparently our neighborhood’s reputation as a quirky haven for eccentrics also dates back 100 years—Irvington is described in an October 1903 Indianapolis Star article as “the classic suburb which has an interesting way of turning up all kinds of freaks and strange things generally.”  (This was before the city grew to swallow up the suburb, but we retain our unique character.)

Signal box in Arctic Vortex aftermath

Erin Kelsch’s Signal box in Arctic Vortex aftermath. Photo by Vishant Shah.

Kathleen Angelone, owner of Bookmamas, says that’s exactly the kind of neighborhood she wants—and the art definitely adds to the vibe. “I think public art is vital to any community because it makes it beautiful. It denominates where the community is and gives it character.”

“And it is civilized. I want to live in a civilized community where people are interested in art and music and learning, not just their day to day jobs.”

Tribute to farm heritage

Dave and Holly Combs’ tribute to farm heritage. Photo by Vishant Shah.

Russian-born Svetlana, an oil painter, told me that public art played a role in her childhood desire to paint. “There are statues everywhere in Russia; you’re just surrounded by art,” she said. “That gave me a lot of creativity and imagination.”

Two years ago she moved to Irvington, where color is starting to pop in unexpected places. “I think it’s wonderful that there is art for people to view without going to a museum.”

Aaron and Vishant invite local artists, funders, and dreamers to contact them about partnering on future eastside Indy public art projects.

My next blog post will have more about the role of public art in placemaking, youth engagement, and crime prevention.

When Crisis Threatens

Thanks to a review in Permaculture Activist magazine, I found a little book called Small Stories, Big Changes: Agents of Change on the Frontlines of Sustainability. It’s a collection of inspiring voices from the community resilience movement. Each chapter is written by someone actively engaged in the world’s remaking.

Here’s a passage from the very first chapter that gives you a taste.

Goat milking, by V Becker, via flickr Commons

Goat milking, by V Becker, via flickr Commons

“(A) community of busy farmers, gardeners, goat-milkers, trail-builders, engineers, scientists, windmill climbers and solar installers…have led our society’s journey toward sustainability…

They are leaders because their excitement is stronger than their fear.

Logically, when crisis threatens we need to subdue our fear in order to take constructive action. But taking action also somehow diminishes our fear…Once we get busy we’re not as scared any more.

Perhaps we don’t control the forces changing our climate when we grow a few vegetables, but we do influence those forces, and I think the activity profoundly changes our perspective. The situation immediately seems more manageable when we begin to manage.”

—Bryan Welch, publisher of Mother Earth News

Photo by julochka, via flickr Commons

Photo by julochka, via flickr Commons

Have you found this to be true? I have, especially when I’ve gotten “the help of a few believers, supporters, and friends who light the way through the dark nights,” as David Orr describes elsewhere in the book. When I am at my lowest is usually when I’ve fallen away from hands-in-dirt activities for whatever reason, or when I’m feeling isolated. It’s easy to fall into this trap in winter especially.

But when I’m pulling together with neighbors to scheme a project or clean up my block or make a big batch of sauerkraut, I feel ready to face anything.

What about you? I’d love to hear about action you’ve taken—and how it impacts your anxiety level about the state of the world.

Restoring the Land

IMG_20140110_101420

Cover page of my Farm Indiana profile of WE Farm

Dr. Lisa Harris remembers well the first conversation with the young man who would come to farm her land—they talked for hours, almost an entire day. “I was so impressed with how deliberate and thoughtful he was,” she told me.

Dr. Harris is Eskenazi Health’s medical director, a vegetarian with a lifelong interest in eating healthy food. As I learned when I wrote about WE Farm for Farm Indiana, she leases her Owen County property to Josh Egenolf and Laura Beth Wayne’s pastured beef cattle, poultry, and pork operation.

“Most people in the United States do eat meat,” she said. “So if I can be part of something that gives people access to meat from animals that have lived well, it seems like a perfect opportunity.”

Like many of us, Dr. Harris tries to live as lightly as possible, and Josh’s plans to make her land productive really spoke to that goal. “What Josh is doing,” she said, “is in every sense helping to improve the land.” WE Farm’s integrated, rotational grazing plan means the animals work in concert with nature to restore pastureland—all the while sequestering carbon and nitrogen in the soil.

The day I visited the farm last November in preparation for my Farm Indiana story, four happy dogs ran in front of the pickup truck as we drove up the lane to tend the livestock. Owen County is picturesque, with wooded hills and deep valleys. Josh showed me the steep woodlot where the hogs are periodically turned loose to forage for acorns and pawpaws. They also help him clear out understory invasives, just by doing what pigs do.

Breeder pigs enjoying their mineral rations on a frosty November morning.

Breeder pigs enjoying their mineral rations on a frosty November morning.

Josh was raised on a farm just a few miles up the road, and he treasures the richness of his a rural childhood. Giving that experience to his own child (and another on the way) is a big reason why he moved back to the area after pursuing his doctorate in ecology at the University of Georgia.

Also, he wanted to be put what he’d learned there into practice. Agriculture, he told me, has enormous potential for creating meaningful environmental change.

He said, “In 2007 I read The Omnivore’s Dilemma. Before that it never occurred to me that there might be anything troublesome about the way meat was produced, other than animal welfare stuff. That’s very clear to me…you shouldn’t treat your animals poorly. They need to be respected. But it didn’t occur to me that there was a single thing wrong with them eating grain and (even) industrial byproducts.”

He knows that many people still don’t realize the environmental and health issues that accompany feeding grain to meat animals, but a growing customer base tells him how many people value pastured meat. “It’s like an awakening that needs to happen.”

Josh and Laura Beth strive to keep the business as local as possible, keeping close to home in all their dealings. For more on their endeavors, check out my Farm Indiana story and the WE Farm website.

Communal

When the sun comes up on these clear mornings, the sky behind the snowcovered trees tints palest tangerine. There’s a beautiful stillness in a frozen world.

Daybreak in the Arctic Vortex

Daybreak in the Arctic Vortex

Something about going through an extreme weather event is lovely in its communal nature. For the second day we are snowed in. We can’t drive out of our alley, and any outings on foot are necessarily short because of extreme wind chills.

So we’ve been keeping tabs on the goings-on in our little burg via a Facebook neighbors’ group.

The dangerous cold and deep snow have given us a glimpse of just how neighborly people are in our quirky neighborhood. I have seen many a plea for help go answered, and many an unsolicited offer appear. Just now someone offered to pick up items on her way home from work if anyone is in dire need. Earlier there was a shout-out to “the awesome guy driving a Caterpillar bobcat and helping people dig out their cars from the aftermath of the plows.”

Someone even asked for—and got—advice on how to get her dog to do his business in this brutal weather. I didn’t read the entire thread, but apparently it was a hoot, discussing canine toileting habits in great detail.

People are offering safe havens, rides to emergency rooms and shelters, and space heaters for those whose furnaces are on the blink. They’re doing for each other in large and small ways—taking baked goods over, walking each other through the crises of burst pipes and power outages, helping everyone feel less alone.

I’m sure this behavior is replicated in many places, much of it never posted anywhere. I didn’t post that the fellow on the corner shoveled not just his walk but the neighbor’s between us, and the guy on the alley behind us helped clear our driveway, but they did, and I thank them.

Dangerous and beautiful

Dangerous and beautiful

Even though I’m tired of being clenched up from cold, tired of the worry over potentially losing power or the furnace konking out (again), part of me relishes these days, both for the astonishing view out my window and for the weird conviviality online.

Part of me wants to put off snowmelt, with its godawful mud and piles of blackened leftover snow. Part of me never wants this communal experience to end.

To Live Passionately

A writer friend and I were talking this morning about our goals for the new year. She said she had but one resolution for 2014: “Forget fear.” Except she used another, shall we say, more pithy F-word for her intention around fear.

Later, scanning through my notebook from the past few months, I came across this passage from Nov. 7, which followed a week of extreme doldrums:

Tired of being unconscious, but scared to wake up! Yet that fear seems foolish in light of the many ways we could bite the dust—globally/regionally/personally, calamitously/suddenly/slowly—oh so many options for becoming vapor, energy, disembodied once more. [I was thinking of the Oct. 25 earthquake off Japan’s coast near Fukushima, among other things.]

FukushimaIsHere-Sticker_1So keeping that in mind, how do I live? I want to live passionately.

Did you hear about the child for whom Make-a-Wish is transforming San Francisco into Gotham City, so he can be Batkid?

Photo by Bhautik Joshi, via flickr Commons

Photo by Bhautik Joshi, via flickr Commons

You see where I’m going with this. In our dying we become superheroes.

Thinking of the Buddhist injunction to remember the unalterable fact of our own death, I ended up musing: What do we have to lose?—the exact phrase my friend used this morning.

It seems ridiculous to dither about in fear and worry when we could be gone at any moment. And meanwhile all of life is calling us to be a force for good.

So how about it? Shall we create a passionate, conscious, fearless, superheroic 2014?