The Shape of Redemption

Have you seen The Shape of Water, that marvelously innovative film with atmosphere that just won’t quit? Mostly I loved it. So lush and creative!

The film has been lauded as a modern fairy tale about embracing the “other”—with characters who are all outsiders (monster, mute woman, gay man, African American woman) banding together in the name of love.

But: I was disappointed in the ending.

Spoiler alert. I’m going to reveal the ending.

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Here’s my thinking: The monster/amphibian man/Amazonian river god could have emerged as a true hero if the last five minutes of the film had gone differently. Sure, the Hollywood ending works—he slashes the throat of the man who shot him and his beloved. He exacts revenge for torture and imprisonment as well as the final insult of murder. He gets the girl and even brings her back to life in a dreamy underwater scene.

Satisfying, on one level.

But I was rooting for something really innovative. The god-man’s foil is the heartless Colonel, who throughout the film jabs the “asset” with a cattle prod. Faced with the “other,” this white man persists in cynically disbelieving that he might have anything to learn.

Throughout the film I watched the villain suffer both emotionally and physically—while the river god-man turned out to have bona fide healing powers. And I thought that maybe, just this once, Hollywood might surprise me.

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Amazon River photo by Mariusz Kluzniak, via Flickr Creative Commons.

Maybe it didn’t have to be all “kill the bad guy” this time. Maybe the river-god would turn out to be a true healer. He could turn to the man who had made his life hell, recognize his suffering, and show him something different, reveal a whole new worldview.

The transformative power of love—real love, not just the limited “I-need-you-you’re-mine” romantic variety—would surely alter the Colonel. The fingers the river-god had bitten off could be regrown. Healing and forgiveness would pack even more punch than a vengeful, justifiable slash to the throat.

It sounds sappy, maybe, or wispy. But compassion doesn’t equate weakness in my mind. And it doesn’t have to be exercised without muscle. Say the villain, fingers restored, still lashes out in violence instead of bowing down to the greater power of love. The river-god could contain him, without hurting him physically, understanding that his suffering is of a different sort. The kind that takes longer to heal.

I’m aware that it’s largely my privileged and coddled life that allows me to think this way: Never having confronted true evil, I am free to look for the sliver of light I believe everyone possesses. To watch for the wounds beneath the villainy. To consider the villain as more than just the sum total of evil acts.

I am free to call for transformation, never having been on the receiving end of violence.
But there are people who’ve been there. People like Immaculee Ilibagiza, who survived genocide in Rwanda and brings a message of forgiveness now.

Or Phan Thi Kim Phuc, Vietnam’s “napalm girl” who, years later, embraced the man who ordered the bombing of her village.

Their courageous example tells me that this impulse toward healing over vengeance is possible, and that I’m not wrong in seeking it. And maybe it isn’t only about effecting change in a “villain”—change that may or may not happen. Maybe it’s about the transformation arising in the one who holds compassion.

It’s just a movie, you might say (back to Shape of Water). Let the ending stand unquestioned. It’s what we’ve come to expect. After all, the same theme turns up in countless novels, song cycles, video games, operas, paintings, on and on. It’s the theme that’s driven Western society for eons: that we overcome by force and domination.

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Not the Amazon. A river I’ve visited, with its own transformative healing power.

But the cultural myth we live by is shifting, and needs to shift, and it’s time for our cultural expressions to reflect that. Who better but the artists to explore and embody a new Story of Reunion, as Charles Eisenstein puts it?

Note: For more on the transformative power of compassion, check out the Forgiveness Project, a powerful collection of stories from all over the world. 

 

Lies I’ve Loved

Last time I wrote about radical ephemerality, shamelessly stealing from my yoga teacher. Since then we’ve had another gentle snow to delight my eye.

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You can’t see it, but there was a kingfisher in this old craggy cottonwood by the creek.

Then we had about a gazillion inches of hard rain, and wind strong enough to knock the birdfeeder off its platform. A sinkhole opened up down the street, the same one the city filled in with gravel sometime back. Water flowed into basements all over the neighborhood and the creek ran high and muddy.

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Blossoms in a sand trap show the high water mark.

And a friend marked herself as “safe” on Facebook, after a shooting in a California town I used to visit on business in the late 1990s.

Meanwhile I read a little book called Everything Happens for a Reason, and other lies I’ve loved, by Kate Bowler. It’s the true story of a woman living with inoperable stage 4 cancer, a memoir like none I’ve read before. Kate writes with great honesty and humor of the tyranny of prescriptive joy, the collective addiction to control, and the dumb things people say.

She writes of her habitual need to plan. For example: walking with her husband, the whole time talking about what to do next. (I can relate.)

But she’s smack in the middle of a present moment tinged with pain because of the possibility of losing everything dear to her. “I just need to live to be fifty,” she tells a friend. “I need to make sure that kid is launched. I need to get most of my life done. I need to lock it down.”

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Daffodil head blown far from its stalk.

 

“Don’t skip to the end,” the friend tells her.

It’s one of the wisest things anyone can say. In fact, at the end of the book she has a list of things not to say to people facing terrible times. Things like “Well, at least…” and “When my aunt had cancer” and “God needed an angel.” (She suggests instead: Silence. Offers of hugs and food. Or: “Oh my friend, that sounds so hard.”)

The book made me think of the biggest loss of my life to date, the death of my father. I remember his response when people would say, “Just keep fighting!”

“I don’t know what that means,” he said, as mesothelioma closed his lung tissue, and chemo and radiation made him only sicker. Grieving his foreshortened lifespan, he shook his head: “What does that mean, to fight?”

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I can never remember what these are called. I used to ask Dad year after year.

 

We put such pressure on our sick people, to be brave, to be fighters, to be positive. A well-meaning extended family member asked him, “Do you want to get better?” As if he somehow wasn’t clinging to life passionately enough.

Talk about dumb things people say. A few days after he died, a twentysomething fitness guru said to me consolingly, “At least you know he’s not suffering anymore.” I remember wanting to throttle her. Thank you for that insight, perky little cheerleader-gym owner. That just makes it all OK now. Or at least YOU feel better.

The funny thing is, I do tend toward the belief (beloved lie?) that things happen for a reason. I want to believe that the hard things I go through have a purpose, that my soul draws experiences to me so that it can grow. Perhaps it is a lie, but it feels like a more empowered frame of mind than blaming random chance.

I do know that some of the difficult times in my life have softened me to others’ pain, and brought me resources that later served a larger healing.

But I would never suggest that “everything happens for a reason” to a young mother dealing with a death sentence. Sitting squarely in her ephemerality. Life is more beautiful, and painful, Kate writes, than she could have imagined.

“My little plans are crumbs scattered on the ground. This is all I have learned about living here, plodding along, and finding God. My well-laid plans are no longer my foundation. I can only hope that my dreams, my actions, my hopes are leaving a trail for Zach and Toban, so, whichever way the path turns, all they will find is Love.”

—Kate Bowler

 

From “Me too” to “We All”

Last week a flood of “Me too” posts dominated Facebook as women (and a few men) declared ourselves among the recipients of sexual violence.

If some were surprised at the numbers, I’m betting they were men. My guess is that few women have never been sexually harassed, and if we haven’t ourselves been sexually assaulted, someone dear to us has.

One of the heartening and difficult things of this time in our history is the unveiling of the ugly sickness at the core of western industrial society. What’s revealed is the shadow side of the masculine principle—so far out of balance that it assumes ownership of women’s bodies.

We women know what it’s like to feel unsafe just because we walk around in these bodies. At any moment we could be humiliated, coerced, split open.

I wanted to write about a time in my life when this was not the case. The first time I went to a women’s music festival in the woods of western Michigan, where men were not allowed to enter, I walked at night alone for the first time feeling absolutely safe. The sense of freedom and relief overwhelmed me and contrasted sharply with the way I had lived my life up to that day.

Constantly warned by my mother to watch my back—even on the short walk from garage to house. Constantly aware that I could be interfered with on the street. Monitoring where I put my eyes, how I moved my body. Making myself small so as not to be noticed, or faking badassery so as not to be targeted.

Is this how we want our daughters to grow up?

What is the psychic toll?

And, can we white women translate our experience into empathy for people of color? who also by dint of their bodies move through the world imperiled, subject to daily humiliations and threat of violence?

(The leader of a local African-American grassroots group, questioned by security while waiting for his wife outside a public restroom. The young black man who told me he and his friends hear car locks ka-chunking when they walk past a white-driven car. The teenager at the park who left his bike in the bushes because he had no bike lock, prompting white passersby to report him for suspicious activity. The rampant police brutality, and continuing lack of justice in a stacked-deck system.)

My big question is: Can we take our painful experiences and use them as a way to feel into the lives of others we might think of as different from ourselves—the Muslim immigrant, the transgender person, the poor family?

What if we could also feel into the lives of the terrorist, the abuser, the white supremacist, the greedy corporate titan? Is this a bridge too far? I think of Buddhist monk Thich Nhat Hanh writing of his anger, many decades ago, on hearing how pirates victimized Vietnamese refugees escaping their country by flimsy boat. The pirates had raped a young girl and brutalized entire families.

Sitting with his anger, Thich Nhat Hanh eventually imagined his way into the life of a boy growing up in a country with no opportunity. He imagined the circumstances that might lead up to the teenager joining a pirate band where for the first time he felt a sense of belonging. And so on…until through his imaginings, Thich Nhat Hanh felt his heart open again.

Of course, this is a Buddhist monk we’re talking about, but I wonder how we regular mortals could broaden our sense of compassion to include more than we ever thought possible.

Compassion might be like a muscle that gets worked, gradually getting stronger.

It might be like a tree that grows where such a thing seems impossible.

20170928_095742 (768x1024)I believe that there is no separation between us. That I am you and you are me. That everything in me mirrors you and everything in you reflects me.

And as more of the darkness is revealed, it’s just more opportunity to heal.

Picking Up the Healing Trail (Guest Blog)

It’s been a while since I hosted a guest blogger. This week the marvelously observant Katherine Hauswirth, a nature writer from Connecticut, contributes this post. (She also invited me to write a piece for her blog, and it will come out soon!)

Guest post by Katherine Hauswirth, author of The Book of Noticing: Collections and Connections on the Trail.

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Today, Shawndra is allowing me to visit her blog and contribute my own words, and I have gratefully received some words of hers to share at First Person Naturalist. I’ve gotten to know Shawndra a bit through her writing, and was drawn to her work because of its clear awe of nature—the topic I like best. Her admirable, dual tagline of Writer/Energy Worker conveys connection—connecting words, ideas, people with ideas, energies, the body with the mind and the soul.

Shawndra introduced me to the work of Gaian teacher and Buddhist scholar Joanna Macy. She wrote about her here. Macy talks about “The Great Turning”—shorthand for our current age, one that’s suspended between a society shaped by industrial growth and the possibility of a new one that is life-sustaining. I examined Macy’s words a bit in The Book of Noticing: Collections and Connections on the Trail, which launches this month:

Macy transmits hope for our ailing world in many ways, but she wonders aloud about the direction in which we will collectively turn. I, too, am unsure, but I seek out comfort in gestures of both adoration and action performed by those who, like Macy and me, are smitten with love for the world.

I continue to hold out hope that the many smitten folks out there will help our world to turn in the right direction. But today it occurred to me that love for the world also acts as a tonic for me, personally. I need to be smitten with that love in order to heal. And by “heal” I mean to feel like I am whole, like I am closer to my best self.

I had recently been sick with a minor illness, and while I was “cured,” in the sense of no longer coughing and sleeping more peacefully, I still needed to heal. The illness seemed to spark a pattern of not caring for my needs very well (or could it have resulted from such a pattern?). My schedule was off; my mind was off; my spirit was off.

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For me, time to myself and time in nature are essential for thriving, and if I can get both at once, all the better. So, despite a long to-do list, I’ve been taking myself on walks.

At the start of today’s walk I was tense, ruminating about a million pending chores and the little annoyances of family life that were stacking up in my mind like dirty dishes. Soon, though, I was happily distracted by a pair of Mallards in the cemetery pond. The female was curious about me, and floated quite a bit closer than her spouse dared. I watched her rubbery orange feet paddling for a while and moved on.

A drab-looking sparrow looked much more exciting when I trained my binoculars on her—I could see bright yellow marks by her eyes. (Later, a little research suggested she was a White-Throated Sparrow). An Osprey couple has taken up residence at Pratt Cove, a freshwater tidal marsh, on the same platform that yielded chicks last year. The female called from the nest in her familiar, high-pitched whistle. And front and center across from the viewing deck nearby sat a Mute Swan on her sizeable, cushy-looking nest, her neck folded over her body, her eyes idly watching her mate, who meandered the channel.

White Throated Sparrow by John Flannery

White-Throated Sparrow courtesy of John Flannery on Flickr

Healing feels like expanding. I am no longer “trapped” in the container of my intellectual mind, with its thoughts bouncing off the walls noisily. I am using all senses to connect with the larger world. I take it in and feel refreshed, open to new possibilities.

Awesome “side effect”: I think more generously about others when I have had these restorative moments.

Nesting Mute Swan by Mike Scott

Nesting Mute Swan courtesy of Mike Scott on Flickr

We all lose the trail sometimes. We forget to even take the time to figure out what we need. When we get our feet back on the healing path we feel more whole and hopeful. And we have more to give.

How lovely, this spring, to turn toward the sun and to watch the natural world turning in the same, light-loving direction. No doubt there is much to do for Mother Earth, but spending time with her is, in and of itself, a crucial act of love. As usual, she bestows much in return.

Katherine Hauswirth’s writing focuses on connection and contemplation inspired by the natural world. She has been published in Christian Science Monitor, Orion online, Whole Life Times, and Connecticut Woodlands. Her blog, First Person Naturalist, reflects on experiencing and learning about nature. Her awards include artist residencies at Trail Wood (Connecticut Audubon’s Edwin Way Teale memorial sanctuary) and Acadia National Park, and first place in the Soul-Making Keats Literary Competition. She lives with her husband and son in Deep River, Connecticut. Her book, The Book of Noticing: Collections and Connections on the Trail, comes out later this month.

Affiliation

This came out of my pen a while ago, and I just found it again. It seems timely.

Humans need to feel ourselves as part of a whole. We build our belonging in so many ways. By joining a fantasy football league, or playing games online, or joining a militia, or marching in anti-war demonstrations (or anti-Monsanto, which some would say amounts to the same thing). We join a political party and cling to it.

That’s what we do—as humans we can’t live without affiliation.

What if our affiliation took the form of something much grander, and more lasting, than any of these? What if our affiliation were to the whole of the earth, and its affiliation were to the whole of the universe, and all the galaxies were aligned in some grand plan?

Well it seems foolish to suggest it when so much is going wrong today, but a chill in my scalp, a prickle up and down the roots of my hair, says yes, you are on the right track here.

So it’s just that easy? How quickly, when I get up from my desk, do I forget that All is One. I bump my elbow and curse the wall. I have too much to do and hate all of it. I don’t want to be uncomfortable or cold or pressured. I cringe at the things I say. I knee-jerk at the things others say, my buttons pushed.

I forget who I am, a small but seriously important child of the universe, like everyone around me, like every single ant larva buried in the wee hill that showed up in the compost my neighbor spread for me under the hydrangeas. All of us.

It matters not how big the brain or how advanced the architecture or how wordy the language. All of us are children of the same divine womb.

We never know what we are part of. We are just one tiny life form in the Milky Way galaxy. Here we are, a light among lights. Lit by sunlight, lit by spirit.

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Photo by Rory MacLeod, via Flickr commons

And we don’t always realize this, we don’t realize that our light can be part of a greater force that is gathering, that is gaining momentum, because all we see are images of the sad and mean and painful and violent. The people doing small good things every day do not get much of a mouthpiece.

I don’t even mean environmental actions and the like. The briefest smile of connection might light someone else’s heart. I’ve written this before, many times. I am happy to think it. Not because it lets me off the hook for the big things but because it means every moment of my day can have an impact. It gives me something to do about the pain that crashes at my door every day. I can breathe it and love it. I don’t need to turn away and I don’t need to feel helpless anymore. I am a part of the healing force of nature now. That’s my affiliation.

And I do know it, some of the time. I don’t know what impact I’m really having. But it doesn’t matter.

We never know what we are part of until we just ride the wave to the shore and crash with our friends in a pile of floppety fish.

And Now for Something Completely Different

I don’t very often blog about my personal writing project(s), but the terrific nature writer Katherine Hauswirth nominated me for a “blog hop” (writers sharing about their work). So, bear with me as I answer a few questions…

What is the working title of your book (or story)?
Thrivalists: Reimagining the World in an Age of Crisis is the working title of the nonfiction book I’m currently “shopping.” It’s in research/pitching phase, and in the meantime I’ve started work on another project, as yet untitled. Also, some of my articles and essays are linked here.

Where did the idea come from for these books?
Thrivalists came about when I realized how little media attention goes to the people who are pulling together to make a major shift on our planet. I’m so inspired by the community resilience movement and all its permutations. My goal with the book is to shine a light on folks working toward greater ecological/economic/social balance. (Secondary goal and total bonus: to get to rub elbows with fun people and learn all kinds of mad skillz.)

A sister volunteer/learner at an Olympia Mycelial Network project in Washington State

A sister volunteer/learner at an Olympia Mycelial Network project in Washington State

The second project is a work of creative nonfiction exploring my 15-year recovery from fibromyalgia, culminating in emergence of my own healing abilities. Part of my inspiration came from Seven Steeples Farm, where I’m helping to grow produce right where an 1880s-era women’s mental institution once stood.

What genre do your books fall under?
Creative nonfiction, tending toward memoir on the new project. Thrivalists is closer to immersion journalism, still with an element of memoir, and the book would be shelved under Green Living/Activism.

Which actors would you choose to play your characters in a movie rendition?
I’m thinking Julianne Moore could play this Mudgirl, but that’s as far as I’ve gotten on that question!

Rose (inside wall) facilitates a Mudgirls workshop.

Rose (inside wall) facilitates a Mudgirls workshop.

What is the one-sentence synopsis of your book?
Oof. Can I buy a sentence?

During a season of tending crops at Seven Steeples Farm, where the tomatoes and peas grow from ground that once held a 19th century mental institution for women, Shawndra Miller explores the turn in her own life from a 15-year bout with a debilitating mind/body ailment. While working the land she reflects on a wider societal transformation embodied by Seven Steeples, where something new is growing on the shell of the old.

Will your book(s) be self-published or represented by an agency?
I’m open at this point. My book proposal for Thrivalists has been making the rounds of agents and small presses. Meanwhile, I’m enjoying the process of discovery on the new project, while continuing to explore and highlight the community resilience movement.

How long did it take you to write the first draft of your manuscript?
The original Thrivalists book proposal, with a couple sample chapters, took about six months, but I keep adding to it as I travel and research, so it’s a moving target. The new one is still very young.

What other books would you compare this story to within your genre?
Thrivalists is a bit like Omnivore’s Dilemma in the way that the author’s process of research and discovery pulls the reader along. In subject matter, it’s close to Walk Out Walk On: A Learning Journey into Communities Daring to Live the Future Now by Margaret Wheatley and Deborah Frieze.

It’s hard to say on the new project since it needs more time to bake, but it might be compared to When Women Were Birds by Terry Tempest Williams.

Who or what inspired you to write this book?
I’m inspired by Charles Eisenstein’s work, in particular The More Beautiful World Our Hearts Know Is Possible. Without a massive consciousness shift, no amount of environmental activism or social change work will alter the bottom line of a culture built on dominance, control, and fear. That’s part of what I want to explore in the new project.

Thanks to Katherine Hauswirth for tagging me with this assignment! I nominate Julie Stewart, writer-and-farmer-in-residence at Urban Plot, to do the next blog hop.

Step Up to the Fire

One of my favorite year-end practices comes at Solstice time, when we gather with friends to mark the longest night. While we welcome the return of the light, we let go of what no longer serves us.

My spouse and I have been doing this with various groupings of women friends for a couple decades now. We build a fire and each burn something to symbolize what we’re ready to release.

IMG_4453Over the years I’ve noticed a shift in the types of things people throw on the fire. If I remember right, in our 20s and 30s we often burned things like business cards, to symbolize an important job transition. I recall burning “toxic” letters, wanting to shift a problematic relationship.

Looking back, the focus felt external to some degree: We needed to declare that something was over and done, and move on.

(I do recall that one creative soul burned a photocopy of a sponge, to indicate she no longer needed to absorb everyone else’s “stuff.”)

In general, nowadays, it feels like we all are more apt to turn our focus inward. What is it within me that is ready to slough off? Is it my need to be right? my habit of pushing? my fears? my dismissive self-talk?

One by one, we step up to the fire and burn the pattern that’s holding us back.

At our 2013 Solstice celebration, this is what I committed to the fire: my need to distract myself. What would happen, I wondered, if every time I thoughtlessly drifted to Facebook, email, or some other addiction, I first checked in on my inner world?

The result, over the course of the year, was a deepening of quiet, and an opening of possibility. I began to turn toward whatever plagued me instead of overriding it. I began to listen more carefully to guidance, to seek it, to act on it.

I had been moving in this direction since my dear friend, energy healer Merry Henn, introduced me to energy work several years back. In a 15-year quest to heal from fibromyalgia, the “invisible arts” (as I sometimes call them) proved indispensable. In combination with other healthy practices, energy healing and emotional clearing have brought me back to resilience. I no longer get sick at the drop of a hat, and I no longer need the maintenance regimen that sustained me for so long.

Now I find myself offering intuitive sessions and hands-on healing work to others, integrating everything I’ve learned. I never imagined myself in this role. But it turns out to be one of the most meaningful contributions I could ever make to a new Story of Reunion.

It was the Solstice ritual that helped me receive this unexpected gift.

I won’t say yet what I burned at the 2014 Solstice gathering, but who knows what magic is afoot after that releasing?