Come on Out

Yesterday I outed myself as “woo” to my new colleagues, and you know what? They didn’t bat an eye. One wants to have coffee to learn more. Another wants one of my services.

With Pride Month in full swing, I’m reminded of the closets where I used to hide, in so many ways.

Back in the early 1990s, when I entered the workforce, I felt I needed to hide most of who I was. Most tragically, I pretended my beloved was my roommate. That’s what we did back then (in that town anyway).

I also hid my spiritual bent, my tender underbelly, my writerly aspirations. Interacting that way was like trying to fly with one wing.

What a relief, nearly 30 years later, to find that having a wife instead of a husband is a nonissue for everyone in my ever-widening circle. And to be able to talk about transgender loved ones as well.

And what joy to feel appreciated for all of who I am.

Where are you with that? Do you feel safe to bring all of you to your endeavors? It’s an energizing proposition. One I wouldn’t have expected, at many points in my life.

What would happen if we all came out as … ourselves? If we let our sweet inner weird kids come out and play?

Long ago a counselor told me something about myself that made me cry. He spoke of a Persian proverb that goes something like: “If you have two loaves of bread, you must sell one and buy a flower.” He said it meant that we need both bread for the body, and a flower for the soul.

He said, “You are our flower.

Which still makes me tear up.

20180607_202926

Open up, little flower.

Transforming an Old Habit

Recently I asked a group of people: “What or how do you want to transform in 2017?” Their answers, so heartfelt and true, got me thinking of my own answer. What emerged as my “thing” was this: A pattern of having “too much to do,” of constantly slipping toward feeling overwhelmed by life.

I thought it might be useful to share how I am beginning to transform that old habit into my chosen reality: a sense of ease and joy with the smorgasbord of life.

Let me attempt to reconstruct some of that inner work. Below is an approximation—I find it hard to exactly translate this type of exploration unless I’m taking notes every step of the way.

I began by examining my feelings. I realized they stem from old programming, dating back to childhood, when I overidentified with school achievements to make myself OK. It makes sense that that would come up now, because I’m working with a business shaman/coach who gives weekly assignments. Homework! I’m a good student; I do my homework.

Even though the program is grounded in ease and bodily wisdom, as we began to set business objectives for the coming year, I found all my old mental gears revving up. Must prove myself, must pile on more and more, create loads of stress just to show I’m really worth something! (“I have a talent for making things difficult,” I told my coach yesterday.)

Of course I ended up crashing. My body rebelled against an overambitious schedule. My mind grew muzzy and obsessive. My emotional state plummeted too. It was hard to imagine finding joy or ease in any of my goals (which had previously seemed so exciting).

I found, when I sat with my overwhelmed-and-down self and asked for guidance, that there is a surfer within me. She artfully rides the waves, finetuning balance in each moment. Balance is not a once-and-done thing, the guidance suggested. Life can be approached with playful skill.

4969562312_6ce1afb19f_z

Photo by Daniel D’Auria, via Flickr Commons.

I might just have to let go a tiny bit and find a way to dance with the rolling waves.

I asked to be released from the need to prove myself. That felt huge.

I also realized that I had willfully constructed a reality in which I was not in charge of my to-do list—subliminally I blamed others for what I had to do. I still felt like that child working for a good grade, though no one grades me now.

Curiously, I found that I held onto the payoff of this dynamic—a wiggly sense of not being fully responsible for my choices, because I could always say that these assignments came from an external place. This resonance with “I am powerless” allowed me to stay safely in my comfort zone.

I found, digging deeper, a fear of people disliking me if I didn’t perform at a high level. Beneath that, a fear of disliking myself if I slacked off: because clearly I am not enough if I don’t at least try to “do it all!”

I worked with myself as I would a client, loving these old programs, asking for their release, inviting the newly created space to be filled with light and love.

Then it was time for what ThetaHealing practitioners call “downloads,” which  basically means asking for Divine perspective and understanding through specific statements or affirmations. These are some of the things I pulled into my field while resting in an expanded state:

Show me what it feels like to take full conscious responsibility for my choices.

Show me what it feels like to live in joy and ease.

Show me how to ride the waves creating balance moment to moment.

I forget what else I downloaded, because I was in a theta brainwave state where words and images are ephemeral. It’s a bit like trying to remember dream fragments. But you get the idea.

Now I can set business goals with less baggage—and I can align more easily with my mission of holding space for personal and planetary transformation.

And Now for Something Completely Different

I don’t very often blog about my personal writing project(s), but the terrific nature writer Katherine Hauswirth nominated me for a “blog hop” (writers sharing about their work). So, bear with me as I answer a few questions…

What is the working title of your book (or story)?
Thrivalists: Reimagining the World in an Age of Crisis is the working title of the nonfiction book I’m currently “shopping.” It’s in research/pitching phase, and in the meantime I’ve started work on another project, as yet untitled. Also, some of my articles and essays are linked here.

Where did the idea come from for these books?
Thrivalists came about when I realized how little media attention goes to the people who are pulling together to make a major shift on our planet. I’m so inspired by the community resilience movement and all its permutations. My goal with the book is to shine a light on folks working toward greater ecological/economic/social balance. (Secondary goal and total bonus: to get to rub elbows with fun people and learn all kinds of mad skillz.)

A sister volunteer/learner at an Olympia Mycelial Network project in Washington State

A sister volunteer/learner at an Olympia Mycelial Network project in Washington State

The second project is a work of creative nonfiction exploring my 15-year recovery from fibromyalgia, culminating in emergence of my own healing abilities. Part of my inspiration came from Seven Steeples Farm, where I’m helping to grow produce right where an 1880s-era women’s mental institution once stood.

What genre do your books fall under?
Creative nonfiction, tending toward memoir on the new project. Thrivalists is closer to immersion journalism, still with an element of memoir, and the book would be shelved under Green Living/Activism.

Which actors would you choose to play your characters in a movie rendition?
I’m thinking Julianne Moore could play this Mudgirl, but that’s as far as I’ve gotten on that question!

Rose (inside wall) facilitates a Mudgirls workshop.

Rose (inside wall) facilitates a Mudgirls workshop.

What is the one-sentence synopsis of your book?
Oof. Can I buy a sentence?

During a season of tending crops at Seven Steeples Farm, where the tomatoes and peas grow from ground that once held a 19th century mental institution for women, Shawndra Miller explores the turn in her own life from a 15-year bout with a debilitating mind/body ailment. While working the land she reflects on a wider societal transformation embodied by Seven Steeples, where something new is growing on the shell of the old.

Will your book(s) be self-published or represented by an agency?
I’m open at this point. My book proposal for Thrivalists has been making the rounds of agents and small presses. Meanwhile, I’m enjoying the process of discovery on the new project, while continuing to explore and highlight the community resilience movement.

How long did it take you to write the first draft of your manuscript?
The original Thrivalists book proposal, with a couple sample chapters, took about six months, but I keep adding to it as I travel and research, so it’s a moving target. The new one is still very young.

What other books would you compare this story to within your genre?
Thrivalists is a bit like Omnivore’s Dilemma in the way that the author’s process of research and discovery pulls the reader along. In subject matter, it’s close to Walk Out Walk On: A Learning Journey into Communities Daring to Live the Future Now by Margaret Wheatley and Deborah Frieze.

It’s hard to say on the new project since it needs more time to bake, but it might be compared to When Women Were Birds by Terry Tempest Williams.

Who or what inspired you to write this book?
I’m inspired by Charles Eisenstein’s work, in particular The More Beautiful World Our Hearts Know Is Possible. Without a massive consciousness shift, no amount of environmental activism or social change work will alter the bottom line of a culture built on dominance, control, and fear. That’s part of what I want to explore in the new project.

Thanks to Katherine Hauswirth for tagging me with this assignment! I nominate Julie Stewart, writer-and-farmer-in-residence at Urban Plot, to do the next blog hop.