Solar Cooking Season at Last

Taking a break from the education series for a little joyous yippee-skip, because today? I busted out the solar cooker!

Yep, on this cool, breezy day I solar cooked for the first time this year. It makes me so happy to usher in the season this way. Despite the chill, the sun is high and bright, the sky bluest blue, and in the solar cooker the oven thermometer registered 275 degrees.

I was having so much fun, I neglected to take any photos of my handmade cooker doing its thing.

Solar Cooker

This is not a photo from today, but from my very first summer of solar cooking, 5 years ago. Nowadays I know enough to put a dark cloth over my cookware. And I don’t use clothespins anymore, at least not inside the cooker. But you get the idea.

OK this isn’t a food blog… but here is what went into the soup that is just now steaming in my mug after simmering out there all day:

  • leeks from my CSA (community-supported agriculture, a weekly allotment of locally grown vegies, yum)
  • baby carrots, also from the CSA
  • sage and dill, ditto
  • parsley I dried at some point, can’t remember the origin, possibly the back yard
  • corn my partner and I bought at the farmers market and froze during the summer
  • a dried Aleppo pepper from the community garden, given to me by my friend Heidi
  • potatoes purchased at the food co-op
  • celery that really really needed to be used up
  • frozen chicken stock I made during the winter from an Amish-raised chicken
  • salt, pepper, and love, baby!

Tell you what, it hits the spot.

Also from that first year. But I did toast pumpkin seeds today on top of the soup.

Also from that first year. But I did toast pumpkin seeds today in a tray on top of the soup. I’ll put them in my salads this week.

I love cobbling together a dish like that, using produce from the garden or market or CSA, or whatever needs to be used up to make room for fresher stuff. (Time to get that corn all eaten up before it shows up in the markets again.)

I’m so looking forward to another long summer of solar cooking. I can almost taste the plum cobbler now.

There’s more about my solar cooker and how you can make one here.

KI EcoCenter: Transforming Education

Second in a series on education
KI EcoCenter, or Kheprw Institute, has been making change for nearly a decade in my hometown. In recent years, educator Khalil MwaAfrika came on board the community empowerment center to start an independent school. He was tired of discussing school reform while watching the educational system destroy African-American children, particularly boys.

Khepri, by Jeff Dahl via Wikimedia Commons

Khepri, by Jeff Dahl (GFDL or Creative Commons) via Wikimedia Commons

Instead of reform, he is invested in nothing less than education’s complete transformation. As  mentioned in a previous post, “Kheprw” was an Egyptian god with a scarab beetle head. This beetle was a symbol of rebirth in Egypt—so the center is fittingly named.

KI’s school offers a rigorous program for African-American students. Classes are very small, allowing a high degree of mentorship. Community members interact with the students every day in this intergenerational model.

MwaAfrika emphasizes that igniting a passion for learning is key. Instead of promoting a particular ideology, faculty create space for discourse and dialogue. In that environment the children learn critical thinking skills. They are encouraged to puzzle things out themselves.

In contrast with the traditional school system, here there is no need for the youngsters to feel they must give up their own rich culture in order to succeed.

This issue came up repeatedly at the center’s recent Real Talk Summit on urban education. Because our dominant culture is white/upper middle class, racism is the water we all swim in—leading to schools that don’t believe in children from other races and classes.

A faculty member and student at KI EcoCenter Community School

A faculty member and student at KI EcoCenter Community School

But KI is different. “We’ve set up an environment where (black students) can be themselves, where they can learn exponentially, where they never have to compromise who they are,” MwaAfrika says.

KI founder Imhotep Adisa notes, “The primary purpose of education is indoctrination. It’s not liberation.”

Part of that indoctrination is the consumerism that is jeopardizing the earth. “We’re at a very ugly place in the history of the planet,” he says. “Regardless of gender, race, and class, the old paradigm has accelerated this…We have to develop new tools for a new paradigm. We have to have the courage to say, ‘That’s not the world we want for ourselves and our children.’”

KI’s adults model that courage every day. Teaching youth to interface with the culture of power while retaining their identity is a critical aspect of their work.

Social enterprises are part of this, as the students work with KI’s bootstrappers (young adults) to develop the skills needed to thrive in a resource-strapped world.

Barrel at left is via KI's Express Yourself Rainbarrels enterprise, with my chosen artwork

Barrel at left is via KI’s Express Yourself Rainbarrels enterprise, with my chosen artwork

Above (at left) is the rainbarrel made by bootstrappers and students for my urban homestead, via the Express Yourself Rainbarrels enterprise. My partner added it to our rain catchment setup, just in time for big rains.

(Indy-area readers, check it out: Save on your water bill, display your artwork, and support a great organization all at the same time.)

Read more about KI’s work in my Indiana Living Green story.

Next: Bloomington’s homeschooling cooperative, exploring the homestead as learning environment.

For the Sake of the Future

First in a series on education.
It’s been a long time since I was in school, but recent encounters started me thinking about those days again. A few weeks ago I spent an afternoon with a homeschooling cooperative, and last week I joined KI EcoCenter’s discussion on urban education. Both groups inspire me by demonstrating alternative ways of educating youth. I plan to devote an upcoming blog post to each.

Though I know many fine teachers, it does seem to me that something is fundamentally broken in the traditional school model.

By Aburk018 at en.wikibooks [Public domain], from Wikimedia Commons

By Aburk018 at en.wikibooks [Public domain], from Wikimedia Commons

Back in the day, I was a mess socially, but quite good at getting the grade. I clearly remember telling my church youth leader at the glib age of 17, “I usually just study for the test and then forget everything right away. It’s easy to get an A.”

His face turned mournful, and he said, “So the system’s got you beat.”

I zoned out on whatever he said next. I was excelling in school, easily maintaining my position at the top of my class—ever since I figured out that daydreaming was best done outside the classroom. No one had ever criticized my methods before.

Straight A’s aside, I didn’t integrate much of what I learned, despite some stellar teachers. School was about checking boxes. Only in an occasional literature class would I feel truly engaged and energized. Most of the time (so it seems now) I was half asleep.

Recently I read a man quoted as saying that school taught him to work very hard at things that don’t matter. He said it was great preparation for life in the workforce—but not really for life.

This was my path: doing what the adults said, getting things done on time, but rarely connecting to the material in any real way.

KONICA MINOLTA DIGITAL CAMERA

And I had years of box-checking ahead of me—because much of my working life turned out to be School 2.0. I was free in my off hours to pursue my dreams, but my workaday world belonged to someone else.

I’ve been done with that world for years now, ever since health issues mercifully sidelined me from my corporate job. (Incidentally: doing much better these days.)

I gave away so much of myself in those decades I spent plodding through life in service of someone else’s objectives. Now I look at corporations from the outside and grieve the creative energy locked up in their gears. I look at the classrooms of today, so focused on test scores, and mourn each lost spark.

How much creative thinking is crushed under the boot of the educational system? How much innovation is chewed up in corporations?

Nowadays we need the brilliance of every single mind we’ve got. What’s facing us is nothing less than global collapse. We can’t afford to have anyone zone out.

So why can’t we do this differently? Could we give our youth real-world problems to address, and expect them to show us their best work, not for a test score, but for the sake of our shared future?

The times demand it.

Next: KI EcoCenter, developing tools for the new paradigm.

Wake Up the Earth

Way back in 1979, disparate groups in the Boston neighborhood of Jamaica Plain rallied to protest an eight-lane highway extension that would have cut right through the community. The successful campaign made Jamaica Plain the first place in the entire country to stop such an “improvement.”

Since then, every first Saturday in May, the community has come together at Southwest Corridor Park, the location of the thwarted highway, for the Wake Up the Earth Festival and Parade. The event—happening this Saturday—celebrates what’s possible when people of many traditions, cultures, ages, and beliefs unite.

Spontaneous Celebrations organizes the Wake Up the Earth Festival and Parade every year, but the community makes it happen.

Spontaneous Celebrations organizes the Wake Up the Earth Festival and Parade every year, but the community makes it happen.

Organized by Jamaica Plain’s arts and cultural center Spontaneous Celebrations, the May Day celebration is based on English agrarian traditions. The phrase “Wake Up the Earth” originates from ancient beliefs about rousing the earth to ensure a good harvest.

Spontaneous Celebrations’ program director Mark Pelletier described the opening festivities like this: Two processions form before the festival starts, a dual parade symbolizing bringing the two sides of the tracks together. After winding through the streets—separate colorful processions of stilt walkers, giant puppets, musical ensembles, and revelers of all ages—the parade converges at high noon at an intersection at the top of a hill. Everyone marches down toward the park together.

Revelers in the Wake Up the Earth Parade

Revelers in the Wake Up the Earth Parade

There paraders gather in a large circle, and the musicians find a mutual rhythm. The drummers sort out which beat to follow “and it rages along nicely,” Mark told me, “and then there’s everybody standing there facing one another.” I like to picture the various cultural groups in the urban neighborhood all decked out, everyone grinning at each other across the circle.

When the circle dissipates, about 10,000 people will partake of a smorgasbord of participatory fun over the next six hours.

Pageantry and puppetry abound at the Wake Up the Earth Festival

Pageantry and puppetry abound at the Wake Up the Earth Festival

Attendees can play on cardboard slides made from refrigerator boxes, or take part in the all-day drum circle. There’s a “wake up the body” area where people of all ages and shapes practice yoga. There’s an enchanted puppet forest, an amphitheatre with “homegrown circus stuff,” and of course music from every corner (seven stages!). Some 70 crafts vendors offer strictly handcrafted goods, and 25 food vendors sell cuisine from all over the world.

Every nonprofit in the community has a table at the festival, marrying jubilant celebration to civic engagement. It’s a day that brings just about everybody from Jamaica Plain out in a zany, colorful, spectacular celebration of culture and connectedness.

For Dutch-born Femke Rosenbaum, organizer of the very first Wake Up the Earth, this unleashing of imagination is her vision made manifest. “It was always my dream to involve the community in creating the festivals—not to just show up one day, but really to be the creators of it,” she told me.

Co-creation is a beautiful thing, especially in tough times. How does your community come together in celebration?

Images courtesy of Lucie Wicker Photography.

Birthing a New Story

Does it ever seem to you like an age of innocence is past? I’ve been thinking about this since reading Charles Eisenstein’s brilliant article, 2013: The Space Between Stories.

He describes a nostalgia for the cultural myth of his youth, “a world in which there was nothing wrong with soda pop, in which the Superbowl was important, in which the world’s greatest democracy was bringing democracy to the world, in which science was going to make life better and better. Life made sense.”

By Simon Q from United Kingdom (Rusting Sherman Hull Uploaded by High Contrast) via Wikimedia Commons

By Simon Q from United Kingdom (Rusting Sherman Hull Uploaded by High Contrast) via Wikimedia Commons

He talks about how we used to believe that the good folks in charge had things all under control, but of course it’s clear now that isn’t true. Our eyes are opening. We can’t ignore the perpetuation of global poverty and extreme inequity. We’re waking up, painfully, to the destruction wrought in the name of commerce and greed. We see that things are falling apart, and the institutions and experts we used to trust are not going to fix it.

And we can never get back to that old cultural story. We’re birthing the new story now, but we’re in a between-time. Our lack of shared cultural myth makes this a turbulent and often frightening time, with the extreme death throes of the old story showing us the worst of the worst.

Or that’s what Eisenstein thinks anyway, and it rings true for me.

Joanna Macy says it this way:

This is a dark time filled with suffering, as old systems and previous certainties come apart.

Like living cells in a larger body, we feel the trauma of our world. It is natural and even healthy that we do, for it shows we are still vitally linked in the web of life. So don’t be afraid of the grief you may feel, or of the anger or fear: these responses arise, not from some private pathology, but from the depths of our mutual belonging.

Bow to your pain for the world when it makes itself felt, and honor it as testimony to our interconnectedness.

So instead of running from our pain in this chaotic between-time, we can turn toward it, with compassion. We can grieve what’s passing away, mourn what’s lost to us forever. We can acknowledge the emotions that arise as we awaken, even the ones we’ve been taught are best kept locked down.

Crocus blooms under snow

Crocus blooms under snow

Instead of cutting off the feeling parts of ourselves, we can invite our whole selves to help dream the new story.

What story shall we create?

Meet the Mudgirls

I’m always intrigued by people who are able to take the more complicated aspects of modern life into their own hands. Maybe that’s because outside of your basic paring knife and garden trowel, my own hands are pretty fumbly. The realm of natural building just amazes me.

Round Cob House Built by the Mudgirls

Round cob house built by the Mudgirls

Natural building involves using materials occurring in nature (and sometimes recycled materials) to construct homes and outbuildings. For example, back in Too Many Tons I posted a video featuring a DIY builder from Indiana making bricks from mud. Materials are sourced locally—perhaps clay from a neighbor who’s digging a pond, sand from a nearby excavation, straw from a local farmer.

Recently I discovered a British Columbia-based women’s collective specializing in cob building (using a mix of clay and straw). Meet the Mudgirls.

The Mudgirls are a collective of women builders on the west coast of British Columbia, Canada

The Mudgirls are a collective of women builders on the west coast of British Columbia, Canada

For the past seven years they’ve worked together as independent builders, doing seasonal work throughout the Vancouver Island area. Though they started with only about 10 days of work in the early years, many now make their main summer income from this work.

They’ve build cob ovens, cabins, sheds, fences, and outhouses. They also take their craft into conventional homes, using earthen plaster with beautiful results.

Interior of a Mudgirl-built home.

Interior of a Mudgirl-built home.

As a consensus-run group, they are trailblazing in other ways as well, showing a more egalitarian way to operate than the dominant paradigm’s business-as-usual. And they offer workshops at the most affordable rates in North America ($200 or less).

Mudgirl Rose Dickson, one of the founding members, was drawn to the collective because of her outlook as a feminist/environmentalist/artist. From the photos,* it’s clear that the Mudgirls’ work offers a creative outlet.

Cob Oven Made by Mudgirls

Cob oven made by Mudgirls

And these round structures are built to last, as witnessed by many such homes in England, still standing hundreds of years after their construction.

Not too long ago, a four-ton tree fell on a Mudgirl-built cob house—crashing through a bump-up of windows and earthen plaster and stopping at the cob wall. Rose reports, “No cracks in the wall from impact, and the guy who came to clear it off said a wooden house would have been crushed by the tree.”

A four-ton tree fell on this Mudgirl-built cob home, stopping at the cob wall

A tree fell on this Mudgirl-built cob home, stopping at the cob wall

Cob building is physically demanding and sometimes uncomfortable work (imagine a chilly spring day when you’re working in cold mud from sunup to sundown). But Rose relishes the chance to be outside, away from a desk, making something with her hands in the company of her dearest friends.

Mudgirls at work

Mudgirls at work

“If the weather’s cold, it can be kind of miserable,” she admits. “But if you’ve got a couple friends there who you’ve known for years and you’re joking and laughing, it makes it. That’s actually one key with natural building is the community. It takes more time, so the labor is a factor. But that’s part of why people do it together.”

This strikes me as the ultimate in do-it-with-others (DIWO). Has anyone out there had experience with communal natural building? I’d love to hear about it.

*Photos provided by Mudgirls.

On Earth Day and Every Day

“The eyes of the future are looking back at us and they are praying for us to see beyond our own time. They are kneeling with clasped hands that we might act with restraint, leaving room for the life that is destined to come.

We have it within our power to create merciful acts.”

— naturalist and author Terry Tempest Williams

Cheselden_t36_prayer(Thanks to Orion Kriegman of Jamaica Plain New Economy Transition for bringing this quote by one of my favorite authors to my attention.)

In Troubled Times

This morning when I looked out my front window, I saw that the juneberry we planted two years ago was budding. Through the rain I could see the sketch of pale green buds dotting each limb, all the way out to the tips–with the promise of sweet berries contained in each one.

Buds that will open into a white blossom, eventually fruiting into delicious berries

Buds that will open into a white blossom, eventually fruiting into delicious berries

The young tree has made it through two of the hottest summers on record, and those tender buds gave my heavy heart a lift.

We planted it because we wanted to grow fruit on our lot, and we nurtured it with weekly waterings through crippling drought and heat. When the rain barrel went dry, I carried buckets from indoors, saving shower water, cooking water, and the dehumidifier’s daily emptying–occasionally breaking down and stretching the hose across the lawn to let it run for a slow hour.

There’s a passage I like from Buddhist teacher Thich Nhat Hanh, called Interbeing. It begins:

“If you are a poet, you will see clearly that there is a cloud floating in this sheet of paper…”

My tree contains multitudes. It has the memory of picking juneberries with my dad a few years ago, before he got sick, before he died, in the forgotten pocket park wedged between two busy streets. There were three small trees just loaded with juicy wine-colored berries. Dad picked from the high branches and left me the low ones. When the low limbs were picked clean, he pulled the ends of the high branches down so I could reach.

Also part of my tree is Jason, the neighbor who helped dig the hole and position the root ball on planting day. And Jerome, the young man who brought it to us through his work with Keep Indianapolis Beautiful. This year Jerome has parlayed his passion for trees into his own business as a certified arborist, Tree-Centric Solutions–pledging to not only plant, treat, and prune trees, but find uses for wood from trees that can’t be saved.

My juneberry even holds the “woman tree,” an old redbud whose upreaching shape I cherished. I called her that because she always looked so feminine to me. The woman tree was just beyond where the juneberry is now, and she had to come down because half the branches were dead. Taking her out meant we freed up room for a fruiting tree.

Irony: I learned that redbud flowers are edible just after we had ours cut down. I could have decorated so many salads with the woman tree’s bounty. Not only that, but Jerome’s service came too late for her: What I wouldn’t give to have something made from the wood of that beloved redbud!

So all that’s in this juneberry too: my regrets, my ignorance, my wishing things were otherwise. But mostly, these are outshone by pride and hope.

I share all this because in troubled times, sometimes things like this can help: a small tree in the rain, holding memories and care, covered in promise.

Things That Can’t Be Rushed

Those of us who are bathed in technology much of our lives, that is to say most of the Western world by now, have grown accustomed to having everything happen in a hurry. Speed is the ultimate. Efficiency is king.

I am prone to this, feeling impatient with the rate of change.

Even in gardening, I value a relatively quick turnaround: Plant a bunch of lettuce seedlings, and a month later I can be snipping salad from my own raised bed.

But some things take time, and move in a crooked line, and require great patience to see results.

Photographer: Kessner Photography

Photographer: Kessner Photography

I’m reminded of this when I visit a farmer friend who lives in my neighborhood. Her family farm is called Artesian Farm. It’s in the next county over, where Anna and her farm partners raise grassfed beef.

When she talks about farming, she thinks in terms of decades. For example, the process of transitioning the farm to organic—which her parents wanted to do long before there was any infrastructure of support—has barely begun, and the beginning itself is taking years.

It’s been nearly 10 years of preparation, and a very small portion of the crop acreage is just beginning the transition to organic.

To grow corn and beans organically, and to be certified as such, farmers undergo an elaborate process. One of Artesian Farm’s first steps was adding more cattle. It seems an odd thing: what do corn and beans have to do with the beef side of the business?

But Anna explains that crop rotation is key in organic farming. Hay is their chosen rotation crop. “It’s common wisdom that if you grow hay and sell it off your farm, you’re taking all the nutrition off your farm.” So more cattle were needed to make use of the hay.

A 200-page plan has taken about six years to complete. It would cost $2500 to have an outside agency prepare this plan, on top of the $1000 for certifying. Anna opted for the DIY approach.

During my visit Anna cuts me some lemon balm, which is near an imposing compost heap about the size of a mobile home. It looks like a small sod house was plunked down in the middle of her modest “back 40.” “How do you turn it?” I ask, thinking of our own compost pile—a midget compared to this—and how it never gets hot enough to kill weed seeds, because we don’t turn it, though we always say we will.

“Oh, I don’t bother turning it. Nature doesn’t turn it, in the woods.”

Anna and her compost bin, which she created “free-hand” with odd broom sticks, twigs, mop handles, rusty pipes, and other finds.

Anna and her compost bin, which she created “free-hand” with odd broom sticks, twigs, mop handles, rusty pipes, and other finds. Photo by Danny Chase.

Walking me back to my car, Anna reflects on the passage of time, how long it takes to make a change, to heal the land, to see results. Those of us who don’t spend as much time with our feet on the soil and hands in the dirt might expect results in a much shorter time frame than the decades that are really required.

Like the compost, like building the humus of the forest floor, there are things that can’t be rushed.